Tag Archives: Hard Bop

Lynne Arriale gained her preliminary popularity when she won the 1993 International Great American Jazz Piano Competition and was immediately signed to DMP. An excellent advanced bop pianist, Arriale graduated from your Wisconsin Conservtory of Music and toured Japan in 1991 with “100 Golden Fingertips,” which matched up her alongside …

Simply one of the biggest guitarists in jazz history, George Benson can be an incredibly versatile musician, whose adept skills find him crossing conveniently between straight-ahead jazz, smooth jazz, and contemporary R&B. Blessed with supreme flavor, a beautiful, curved electric guitar tone, terrific swiftness, a marvelous feeling of reasoning in …

An excellent trumpeter with a unique cry, Johnny Coles very long had the capability to say a whole lot with several notes. He used a few best R&B rings, including Eddie “Cleanhead” Vinson (1948-1951), Bull Moose Jackson (1952), and Earl Bostic (1955-1956); was with Wayne Moody’s group (1956-1958); and made …

The acknowledged dean of American jazz critics, Leonard Feather was also a renowned composer and producer, writing perennials including “Evil Gal Blues,” “Blowtop Blues,” and “How Blue IS IT POSSIBLE TO Get?” in addition to helming debut periods by upcoming legends Dinah Washington and Sarah Vaughan. Delivered Sept 13, 1914, …

In fact nicknamed after his instrument, Johnny “Hammond” Smith was maybe one of the most underrated soul-jazz organists from the style’s heyday. Created John Robert Smith in Louisville, KY, on Dec 16, 1933, Smith started learning piano as a kid, idolizing Bud Powell and Artwork Tatum in early stages. After …

An extremely in-demand bassist for saving sessions (particularly when Paul Chambers, his cousin by relationship, had not been available), Doug Watkins was a simple soloist but an excellent accompanist. After attaining experience as you of many extremely talented Detroit jazzmen in the neighborhood picture, touring with Adam Moody (1953) and …

In the 1950s, the alto sax didn’t get very much louder than Gene Quill, a hard-edged soloist who could rival Jackie McLean and frequent-partner Phil Woods when it found intensity, enthusiasm, and hard bop aggression. Like Gene Ammons and Sonny Stitt or Dexter Gordon and Wardell Grey on tenor, Woods …

Lyman Woodard not merely established a profession as a top jazz organist, but introduced dance and Latin rhythms to his device in ways others in his peer group didn’t. Delivered Lyman Elnathan Woodard III in Owosso, MI, on March 3, 1942, his dad and grandfather had been musicians who offered …

A most underrated trumpeter, Charles Sullivan has excellent technique, okay tone, a bright, shimmering audio, and works well in very difficult bop, free, big music group, or bebop contexts. He’s not obtained the credit he should get, though he also does not have a big legacy of recordings to tout. …

Garry Dial, co-leader of Dial & Oatts, initial came to popularity as a significant modernizing force using the Crimson Rodney-Ira Sullivan Quintet. He started playing piano early in lifestyle and had essential lessons with Mary Lou Williams. After participating in Berklee, he performed music in Bermuda during 1975-1978. Shifting to …