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Tag Archives: Eccentric

Cake

Best-known because of their ubiquitous hit “THE LENGTH,” Cake epitomized the postmodern, irony-drenched visual of ’90s geek rock. Their audio freely blended and matched up pastiches of broadly varying styles — white-boy funk, hip-hop, nation, new influx pop, jazz, university rock, and electric guitar rock and roll — with a …

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The Strawbs

Among the better Uk progressive rings of the first ’70s, the Strawbs differed off their more lucrative compatriots — the Moody Blues, Ruler Crimson, Green Floyd — principally for the reason that their audio originated in British folk music, instead of rock and roll. Founded in 1967 being a bluegrass-based …

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Dave Willey

Dave Willey makes his house in the American Western world, but his most noteworthy music pulls from affects elsewhere. An experienced multi-instrumentalist and composer, he flies in currents below the radar of mainstream music listeners, despite getting one of fairly few “avant” performers whose music is certainly uncompromising, difficult, and …

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Alan Dargin

Australian didgeridoo virtuoso and busking legend Alan Dargin channeled components of rock & roll, jazz, and hip-hop to pioneer a uniquely dynamic and visceral method of the indigenous wind instrument. Given birth to in Wee Waa, New South Wales, on July 13, 1967, Dargin began monitoring the didgeridoo at age …

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Brigitte Fontaine

French singer Brigitte Fontaine made some increasingly unusual and eclectic art-pop in the 1970s that gathered a whole lot of acclaim in France, although she remains obscure to a global audience. Primarily she was an eccentric but available pop singer, delivering melodic and orchestrated materials a la a far more …

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Todd Rundgren

Todd Rundgren’s best-known music — the Carole Ruler pastiche “We Found the Light,” the ballads “Hi there, It’s Me personally” and “May We BE Friends,” as well as the goofy novelty “Bang for the Drum ALL DAY LONG” — claim that he’s a talented pop craftsman, but only that. Using …

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Mr. Oizo

Though it’s a sure bet he’ll linger in the minds of all for his omnipresent Levi’s advert and 1999 Western chart-topper “Flat Beat,” music video director Quentin Dupieux turned in a few excellent digital productions as Mr. Oizo. Definately not the madding crowds of ad-oriented hipster trance or jungle, “Smooth …

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Studs

The dissolution from the enormously popular and successful visual kei bands Kagerou and Deadman within the area of the year still left a gaping gap in the heart from the scene that was crying out to become filled. Moving back again to Tokyo from Nagoya after Deadman split, guitarist Aie …

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Tones on Tail

Bauhaus guitarist Daniel Ash created Shades on Tail being a aspect task in 1981 with bassist Glen Campling, who was simply also a roadie for Bauhaus. When Bauhaus split up in 1983, Ash thought we would focus on his brand-new group, attracting Bauhaus drummer Kevin Haskins aswell. Their design ranged …

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Brad Mehldau

One of the most acclaimed pianists of his era, Brad Mehldau is a virtuoso performer with an hearing for deeply nuanced, harmonically sophisticated acoustic jazz. While Mehldau is among the even more absorbing and thoughtful professionals within that idiom, he’s also receptive to the thought of using material from your …

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