Home / Tag Archives: Bop (page 53)

Tag Archives: Bop

Charles McPherson

A Charlie Parker disciple who provides his own lyricism towards the bebop vocabulary, Charles McPherson is a reliable physique in contemporary mainstream jazz for a lot more than 35 years. He performed within the Detroit jazz picture of the middle-’50s, relocated to NY in 1959, and inside a 12 months …

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Ernie Wilkins

An excellent, slippery bop tenor sax participant, and a inventor of sharp-edged arrangements for bop and golf swing big rings who helped define the Count number Basie Mk. II design of the 1950s, Ernie Wilkins have been a normal fixture for the American jazz picture until 1979, when he drawn …

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Charlie Byrd

Tasteful, low-key, and ingratiatingly melodic, Charlie Byrd experienced two notable achievements to his credit — applying acoustic traditional guitar ways to jazz and well-known music and assisting to expose Brazilian music to mass UNITED STATES audiences. Born right into a musical family members, Byrd experienced his 1st clean with greatness …

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Sarah Vaughan

Possessor of 1 of the very most wondrous voices from the 20th hundred years, Sarah Vaughan ranked with Ella Fitzgerald and Billie Visit to the very best echelon of woman jazz performers. She often offered the impression that with her wide variety, perfectly managed vibrato, and wide expressive capabilities, she …

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Ernie Andrews

Ernie Andrews has were able to end up being both popular and underrated throughout his lengthy profession. After his family members moved to LA, he sang within a cathedral choir, even though still attending senior high school got a few strikes for the G&G label. Billy Eckstine and Al Hibbler …

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Wendell Harrison

An excellent clarinetist and tenor saxophonist, Wendell Harrison continues to be a significant force in Detroit in the past several years. He started on clarinet when he was seven, began playing tenor in senior high school, and examined with Barry Harris. In 1960, he transferred to NY, playing with Jack …

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Leonard Feather

The acknowledged dean of American jazz critics, Leonard Feather was also a renowned composer and producer, writing perennials including “Evil Gal Blues,” “Blowtop Blues,” and “How Blue IS IT POSSIBLE TO Get?” in addition to helming debut periods by upcoming legends Dinah Washington and Sarah Vaughan. Delivered Sept 13, 1914, …

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Wayne Bedrosian

Piano. Another within the list of music artists looking for a fertile merger between jazz and traditional and getting a muddled middle floor instead. Bedrosian’s released two discs with this vein for Perpetua.

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Lennie Niehaus

A fantastic altoist and jazz arranger in the 1950s (especially for Stan Kenton), Lennie Niehaus in newer times won popularity for his function credit scoring the music for Clint Eastwood movies. After graduating from university, Niehaus performed alto and sometimes composed for Kenton (1951-1952) before getting drafted for the Military …

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Gene Quill

In the 1950s, the alto sax didn’t get very much louder than Gene Quill, a hard-edged soloist who could rival Jackie McLean and frequent-partner Phil Woods when it found intensity, enthusiasm, and hard bop aggression. Like Gene Ammons and Sonny Stitt or Dexter Gordon and Wardell Grey on tenor, Woods …

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