A fantastic altoist and jazz arranger in the 1950s (especially for Stan Kenton), Lennie Niehaus in newer times won popularity for his function credit scoring the music for Clint Eastwood movies. After graduating from university, Niehaus performed alto and sometimes composed for Kenton (1951-1952) before getting drafted for the Military (1952-1954). Upon his release, Kenton welcomed Niehaus back again and he proved helpful for the bandleader on / off for all of those other 10 years. Niehaus, who led and performed alto on six albums between 1954-1957 (five for Modern), acquired a cool build a bit similar to Lee Konitz. With the 1960s, his playing had opted by the wayside as Niehaus focused on composing for movies. Although he generally left jazz in those days, his focus on Play Misty for me personally, and particularly Parrot for Clint Eastwood, allowed someone to once more admire his jazz composing.