Home / Tag Archives: Bop (page 37)

Tag Archives: Bop

Michael Moore

Though a musical arch-conservative, Michael Moore’s an extraordinary, capable bassist noted for his restraint and support in small group settings. He provides few peers for tasteful, lyrical playing, and it has constantly attracted raves for his function in NY clubs. Moore started playing bass at 15, and caused his guitarist …

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Norman Granz

On the height of his career, Norman Granz was one of the most powerful nonmusicians in jazz. He generally fought for the music he thought in (getting a like for freewheeling jam periods), for his performers (whom he accurately regarded as among the best on earth), and against racism, forcing …

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Red Callender

A busy studio room musician who made an appearance on a many recordings during his productive (and generally profitable) career, Crimson Callender may be the just player to carefully turn straight down offers to become listed on both Duke Ellington’s Orchestra as well as the Louis Armstrong All-Stars. After briefly …

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Red Norvo

Crimson Norvo was a unique star through the swing era, using jazz xylophone. After he turned to vibes in 1943, Norvo acquired a quieter however no-less fluent design than Lionel Hampton. Although no match for Hampton popularity-wise, Norvo and his wife, vocalist Mildred Bailey, do become referred to as “Mr. …

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Red Holloway

An exuberant participant with attractive shades in both tenor and alto, Crimson Holloway was also a humorous blues vocalist. Whether bop, blues, or R&B, Holloway kept his very own with anyone. Holloway performed in Chicago with Gene Wright’s big music group (1943-1946), served within the Army, and used Roosevelt Sykes …

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John Lewis

The musical movie director of the present day Jazz Quartet because of its entire history, John Lewis found an ideal outlet for his curiosity about bop, blues, and Bach. Possessor of the “great” piano design that (like Count number Basie’s) makes every take note count, Lewis using the MJQ provides …

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Miles Davis

Within a professional career lasting 50 years, Miles Davis performed the trumpet within a lyrical, introspective, and melodic style, often having a stemless Harmon mute to create his sound even more personal and intimate. But if his method of his device was continuous, his method of jazz was dazzlingly protean. …

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Nino Tempo

Nino Tempo is most beneficial known for his duo along with his sister, Apr Stevens, which produced several popular recordings within the ’60s, notably “Deep Crimson.” He also experienced a long profession as a program musician, and in the ’90s belatedly embarked on a profession like a jazz musician. The …

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Mingus Big Band

A significant expansion on Mingus Dynasty, from 1991 the Mingus Big Music group (which frequently uses a lot more than 20 musicians) has explored the fantastic bassist’s music at least one time weekly. They played frequently at that time Place Café in NY and their group of recordings for Dreyfus …

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Osie Johnson

In the 1950s as well as the first half of the 1960s, Osie Johnson was perhaps one of the most in-demand drummers in NY, making a many recordings and functioning steadily within the studios. He began working skillfully in 1941, was with Sabby Lewis’ music group in Boston (1942-1943), and …

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