Ray Martinez

Whoever has gyrated on the disco dancefloor offers probably been beneath the power of Ray Martinez, in least for an instant. He is perhaps one of the most regularly triumphant manufacturers of disco music to emerge from Miami, where in fact the lengthy hot nights provide dancers a lot of opportunity to test and grow sick and tired of the latest noises. This isn’t the same Ray Martinez who has bass on fusion and Latin information, nor the United kingdom session guitarist from the same name, however the Miami Martinez can be no simple knob twirler. While in old age his position as vice leader and label supervisor of Sony’s Miami-based branch Sony Discos provides intended credits in the frequently hands-off capability as executive manufacturer, the popularity Martinez built-in the ’70s was predicated on both his skills being a multi-instrumentalist and the initial mixes he creates. When there is a quick method to spell it out this Martinez design, spread over a large number of releases that could provide disco haters nightmares, it might be a jam-packed mix of Latin percussion and string plans, the latter occasionally resembling a maelstrom as well as the former more often than not including someone smacking a conga drum. For quite some time he was from the TK label, occasionally collaborating with fellow maker Ish Ledesma. Martinez loves band names such as for example Sassy and Foxy, to indicate among the directions he loves to go ahead. Sassy was the group behind “Theme from Disco 77,” among the big Martinez productions from 1977. Amant is an excellent example of among the groups where Martinez’s involvements as an instrumentalist competitors Stevie Wonder’s flexibility. It all created from a quite common Cuban piano design, merging jazz and Latin affects, that had been on screen in 1974 around the George McRae dancefloor strike “Rock YOUR CHILD.” Additional Martinez hits consist of “Woman of the night time” and “Warm Posse.” This maker also defies the assumption that such strikes are right here today, eliminated tomorrow. There is enough desire for Martinez’s work from your ’70s to justify reissues many decades later.