Milk Cult

Dairy Cult was a Metal Pole BATHTUB side task spearheaded by bassist Dale Flattum (aka C.C. Nova, aka Agent Nova) and guitarist Mike Morasky (aka Bumblebee). Even more electronics-oriented than their primary vehicle, Dairy Cult provided the duo an area to explore their fascination with sampling, tape manipulation, and found musical instruments. The outcomes sounded similar to industrial music compared to the guitar-driven SPBT, but had been often just like loud and chaotically surreal. Nova and Bumblebee kicked off Dairy Cult’s lifestyle in 1990, and released their debut record, Appreciate God, in 1992 on Boner Information; a portion from the record was specialized in their rating for the Frank Grow film of the same name. Flattum subsequently released a single C.C. Nova record, confusingly titled Dairy Cult Dispatch, in 1994 on Communion. Dairy Cult’s next work was 1995’s Burn off or Bury, released while SPBT was in the center of its short stick to a significant label. Burn off or Bury highlighted guest performances from Beliefs No More’s Mike Patton and Billy Gould, Jawbreaker’s Blake Schwarzenbach, as well as the private Conko, amongst others. With Metal Pole TUB trapped in label-imposed limbo in 1997, Nova and Bumblebee were able to rating a grant from your French government to become listed on an performers’ collective in Marseilles. They spent annually recording the materials that would ultimately become 2000’s acclaimed Task M-13, which presented deconstructions of traditional Corsican performing, Buddhist chanting, and a big African orchestra, among a massive array of additional resources and guests. Morasky after that shifted to are a special-effects specialist on god, the father of the Bands movies, and Flattum required his Agent Nova alias to a fresh task, Novex, which reunited him with SPBT drummer Darren Mor-X.