Kalima

Manchester funk-jazz-pop group Kalima, named following a past due-’70s Elvin Jones melody, didn’t emerge from nowhere once the music group began in Oct 1983 — actually, Kalima didn’t really start at all. Rather it was the brand new name for the group Swamp Kids, who had currently recorded an record plus some singles for Stock prior to the decision for the much less dourly suggestive name was produced. Usually the group’s lineup continued to be originally unchanged — vocalist Ann Quigley, bass participant Tony Quigley, guitarist John Kirkham, sax participant Cliff Saffer, and drummer Martin Moscrop. Moscrop recruited two of his fellow A PARTICULAR Ratio bandmates to aid — pianist Andy Connell and bass/vibes participant Jeremy Kerr — while percussion participant Chris Hornerman also became a member of the music group, producing a apparently unwieldy but nonetheless cohesive more than enough lineup that produced its initial tag with several singles and the Night Period Shadows record. The group’s distinctly non-stereotypically ’80s Manchester sound — not really classically post-punk on the main one hand, not really the gradually congealing indie-dance strategy on the various other — still left the music group to a little but passionate pursuing and respect otherwise resultant commercial achievement. Moscrop and his fellow ACR associates still left the group in 1986, ultimately changed by saxophonist Matthew Taylor, flautist Bernard Moss and drummer David Higgins; with Saffer also out while Warren Sharples got over on bass, this lineup after that documented a self-titled, even more brass-driven work in 1988. Sense Fine implemented in 1990, offering another revamped lineup — drum/percussion section Higgins and Hornerman had been changed by Andy Boothman and Iain Alexander — and carrying on critical interest but no industrial breakthrough. Among both of these albums was Firefly, a 1989 catchall assortment of previous singles and paths, including some Swamp Kids songs. After Sense Fine as well as the attendant one “Stand out” made an appearance, Kalima proceeded to go into hibernation for over ten years, reappearing using a self-released record, In Nature, in 2001, collecting some unreleased and rarer paths but otherwise offering new recordings of the stripped-down, three-person lineup from the Quigley siblings and Kirkham, the only real three members atlanta divorce attorneys incarnation of the group. A year or two afterwards the LTM label started a thorough reissue plan of both Swamp Kids and Kalima’s Manufacturer work.