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Jerome Hines

Jerome Hines was one of the better known & most long lasting of American bass-baritones, known for his wealthy, powerful, unforced tone of voice and his psychologically penetrating performing shows. Jerome Albert Hyperlink Heinz (as he was created) loved performing but was rejected by his junior senior high school glee golf club because his tone of voice didn’t mix. He studied in the College or university of California LA, with a level in technology, having used chemistry, physics, and mathematics. He trained chemistry at UCLA to get a year, then worked well like a chemist for an essential oil company. Nevertheless, while he previously been at UCLA he got performing lessons from Gennaro Curci, with age 20 debuted in the SAN FRANCISCO BAY AREA Opera in 1941; throughout that time of year he sang mainly because Monterone in Verdi’s Rigoletto and in Tannhäconsumer. From then on, he was asked to sing with many orchestras, like the LA Philharmonic, and with the brand new Orleans Opera, which confident him to focus on performing as his profession. He received the Caruso Honor in 1946, leading to his Metropolitan Opera audition and debut in 1947 as The Sergeant in Mussorgsky’s Boris Godunov. Irving Kolodin’s review produced as much reference to his tall elevation by his “capable performing.” In Dec, he was presented with the part of Méphistophélès in Gounod’s Faust. THE BRAND NEW York Occasions judged that this part was “still relatively beyond him” but praised his performing ability and stated that “very much should be expected” of him. He shortly proved himself a trusted comprimario singer another period, appearing 45 moments in ten jobs, like the Grand Inquisitor in Don Carlos, Don Basilio in Il Barbiere di Siviglia, the Commendatore in Don Giovanni, and Nick Swallow in Peter Grimes. He also made an appearance in these years in Rio de Janeiro, Buenos Aires, and Mexico Town. His popularity soared when he was chosen by conductor Arturo Toscanini to sing a few of his concerts and appearance in his 1953 documenting of Beethoven’s Missa Solemnis. Also in 1953 he produced major European performances on the Glyndebourne and Edinburgh Celebrations. Problems in his profession advancement arose in 1951, when the Montreal-born American bass-baritone George London made an appearance on the Met. With the current presence of London, Hines, and Ezio Pinza — performers so excellent that within a afterwards day they might surely have already been advertised as the “Three Basses” — it got Hines some more years before he shifted out of jobs just like the Grand Inquisitor as well as the Sergeant in to the leading jobs, like Philip II and Boris himself. In the middle-1950s, he added the main Wagnerian bass-baritone parts to his repertoire, including Gurnemanz, Ruler Marke, and Wotan, which he sang at Bayreuth. In 1962, he became the next American vocalist to portray Boris Godunov on the Bolshoi Opera in Moscow; George London got preceded him in 1960. Hines continued to sing 45 jobs in a huge selection of performances on the Metropolitan. He retains the record for one of the most consecutive months there by any main designer at 41. His last appearance was on January 24, 1987 as Sparafucile in Rigoletto. He was an extremely religious man who’s reputed to possess walked out of the production in the Met because of his objections on the “lewd” characteristics from the choreography. He published an opera, I Am just how, on the life span of Christ. His autobiography, That is my Tale, that is my Track, was released in 1968, and he published two respectable books around the artwork of performing, Great Performers on Great Performing (1982) as well as the Four Voices of Guy (1997).

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