Jason Kahn began like a drummer in Los Angeles-based option rock and roll and avant-rock rings within the mid-’80s. When he relocated to Berlin in 1990, he switched resolutely toward free of charge improvisation and later on towards the micro-sound picture, incorporating consumer electronics to his percussion function. He spent the 1990s between Germany and Japan, playing in Arnold Dreyblatt’s Orchestra of Excited Strings; with Toshimaru Nakamura because the duo Do it again; and collaborating on-stage and on record with improvisers like Günter Müller, Dieb13, Otomo Yoshihide, Evan Parker, Sainkho Namchylak, and Taku Sugimoto. Given birth to in NEW YORK in 1960, Kahn was raised in LA, encircled by the Californian music from the ’60s. Punk rock and roll within the middle-’70s offered him the impetus to become musician. After university research in African background and music, he visited the School of London for the year and begun to play drums. Back L.A., he examined with program drummer Billy Moore. His passions included jazz and improvisation (hearing Ed Blackwell drum on Eric Dolphy’s record Live on the Five Place was a surprising rvelation), but also for quite a while he used rock and roll bands. The main was the General Congress Of, with whom he documented three albums and toured thoroughly within the U.S. and European countries. It really is after this kind of tour, in Feb 1990, that he made a decision to give up and proceed to East Berlin, to see the exhilaration of the town shortly after the finish from the Communist routine. There he installed with the free of charge improv crowd, executing with Dietmar Diesner, Johannes Bauer, and Ernst-Ludwig Petrowsky, while absorbing the burgeoning techno picture. A friend place him in touch with Dreyblatt, as well as for five years Kahn participated in the actions from the Orchestra of Excited Strings. On the other hand, he radically changed his method of drums, acquiring lessons in Arabic and Iranian music, & most significantly stripping down his strategy to rediscover the sonic properties of his device. The outcomes of his search begun to end up being detectable within the recordings of Cut, his duo with guitarist Birger Löhl; however they actually surfaced you start with Short term Contemporary, the next recording by his additional duo Do it again, with Toshimaru Nakamura. Were only available in 1997, this task attracted a bit more attention, because of Nakamura’s unusual usage of a “no-input combining table.” In 1996, Kahn began the small self-employed label Cut, which he released albums by Do it again along with a string of single recordings (Drums and Metals and Analogues, 1999; Plurabelle, 2001). By 2001, he previously also begun to provide sound installations also to perform like a single laptop computer designer. He also curated Sonique Series, some experimental music concerts in Züwealthy, Switzerland.