James O’Donnell is one of the leading Uk organists of his era. Although some might further define him being a cathedral organist and choir movie director — functions he offers fulfilled with the most dedication — he continues to be energetic on the concert stage both as an organist and conductor. His selection of repertory continues to be broad, consuming the music of Renaissance-era symbols like Palestrina, Josquin Desprez, Victoria, Lassus, and Guerrero, in adition to that of twentieth hundred years experts like Stravinsky, Poulenc, Janácek, and Kodály. Like a conductor, he offers often caused period-instrument ensembles like the Hanover Music group as well as the Orchestra of age Enlightenment. Like a key pad soloist or continuo participant, he offers frequently appeared using the Gabrieli Consort as well as the King’s Consort. O’Donnell offers made a lot more than 30 recordings for the English label Hyperion. Wayne O’Donnell was created in Scotland in 1961. While in his teenagers, he received a scholarship towards the Royal University of Music. Later on he was selected body organ scholar at Cambridge University or college (Jesus University), where he’d continue to win many awards and honors for body organ performance. His educators there have been Nicholas Kynaston, Peter Hurford, and David Sanger. Soon after his 1982 graduation, O’Donnell started his long romantic relationship with Westminster Cathedral, providing there in the beginning as assistant grasp of music. His 1st recordings as organist (using the choir) quickly made an appearance, as Hyperion released Victoria’s Missa Vidi Speciosam (1984) and a disk of functions by Guerrero and additional Spanish composers entitled Treasures from the Spanish Renaissance (1985). In 1988, O’Donnell assumed the post of grasp of music at Westminster Cathedral, therefore acquiring control of the renowned choir. He regularly led them in concerts and concert broadcasts over both tv and radio. He also produced several acclaimed recordings using the choir, including discs of Stravinsky’s Symphony of Psalms (1990) and Duruflè’s Requiem (1994). In 1997, O’Donnell recognized the session as teacher of organ on the Royal Academy of Music and in 2000 recognized a post at Westminster Abbey as movie director of daily choral providers and of music at condition events. The post also included command from the Abbey Choir in its concerts and recordings. With this group he provides toured France, Germany, Japan, and america. Among O’Donnell’s recordings using the Westminster Abbey Choir may be the 2006 Hyperion discharge of Elgar functions, Great May be the Lord.