The name “Carl Fenton” is available on a huge selection of jazz, dance, as well as some golf swing records manufactured in the time 1919-1937. But “Carl Fenton” had not been a genuine person, nor a good pseudonym for an individual. It had been a name to put up information. When Gus Haenschen was involved as the favorite Music Movie director for Brunswick Information in middle-1919, he chose that his provided name was as well Germanic sounding at the same time when anti-German sentiment was working saturated in America. Haenschen chosen “Fenton” following the name of just a little city in Missouri that was near his hometown of St. Louis; “Carl” was attained due to a poll of Brunswick’s workplace workers. Gus Haenschen utilized the Carl Fenton name as billing over the enormous variety of information he led for Brunswick as musical movie director until he resigned from the business on July 1, 1927. These information were hugely well-known, and for that reason there is a open public demand for personal performances with the Carl Fenton Orchestra (incidentally, under no circumstances billed as “Carl Fenton & his Orchestra,” as there is no Carl Fenton). Haenschen was much too occupied to fill up this requirement, therefore violinist Ruby Greenberg stepped directly into lead the music group the public noticed as the “Carl Fenton Orchestra.” Actually before Haenschen remaining Brunswick, the business had released a Crimson Nichols record to be by “Carl Fenton.” After Haenschen and Brunswick proceeded to go their separate methods, Ruby Greenberg bought the privileges to utilize the “Carl Fenton” name and documented thoroughly on Gennett under it from past due 1927 through January 1930. In 1929, the Carl Fenton Orchestra arises within the Brunswick once more for approximately 13 titles, which is thought that Greenberg led these times; also, a Benny Goodman may have performed on two of these (“Just what a Day time!” and “Probably- Who Has learned?”) Another name that Greenberg utilized sometimes instead of “Carl Fenton” is normally “the brand new Yorkers,” and among the last Edison dance information, credited compared to that name, can be likely the task of Greenberg. The Carl Fenton Orchestra breathed its last gasp in the jazz age group with six game titles designed for the QRS label in Longer Island Town in early 1930. Certainly, “Carl Fenton” appears to have appreciated life after loss of life; three sides documented for the Professional Information label on March 24, 1937 are acknowledged to him. Eventually issued on Range, these are most likely neither the task of Haenschen nor Greenberg, but could be Crimson Nichols, this time around using the name like a gag.