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Buckshot LeFonque

When Branford Marsalis made a decision to stir up just a little difficulty in 1994 simply by juxtaposing and fusing mainstream jazz with hip-hop rhythms, rap, R&B, rock and roll, reggae, and six various other idioms, he thought we would present his songs beneath the group name Buckshot LeFonque. This fanciful moniker is truly a resurrection of the pseudonym Cannonball Adderley found in the 1950s when moonlighting on an archive label apart from his very own. The group’s eponymous 1st album, an excellent, playful, musically wealthy realization of the anything-goes fusion sadly drew a whole lot of open fire from critics atlanta divorce attorneys genre, a predicament that Marsalis lamented for the group’s similarly eclectic yet much less striking second recording Music Evolution. However, Marsalis was therefore enthused by his fresh group that he remaining his high-profile work as bandleader from the Tonight Display in part in order that he could tour with Buckshot LeFonque in 1994-1995. The 1997 release of Buckshot, as noticed on Music Evolution, includes a nucleus of Marsalis (saxophones, key pad, and drum encoding), DJ Apollo (“tires o’ metal”), Frank McComb (vocals, keyboards), Carl Burnett (acoustic guitar), Russell Gunn (trumpet), Reginald Veal (bass), Rocky Bryant (drums), and 50 Designs: the Unfamiliar Soldier (rap vocals). Of most of Marsalis’ varied pursuits, none task his unique mix of virtuosity and irreverence as totally as Buckshot LeFonque.

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