Zola Amaro

Praised by Enrico Caruso in the party of his 1917 tour to Buenos Aires, Argentina, after hearing her singing, Zola Amaro experienced an exceptionally successful career being a soprano. Her starting was at Sept 4, 1919, also starting the state Lyrical Season of this calendar year in the opera Aida, by Verdi, alongside the well-known tenor Crimi. Within the next time, the feared critic Oscar Guanabarino composed in his paper column that she had not been a soprano spinto, but an “overall soprano.” In Carlos Gomes’s Il Guarany, Zola aroused another batch of praises by Guanabarino and various other critics. In the Teatro Municipal of Rio de Janeiro, Zola acquired achievement in the operas Aida, Norma, Gioconda, Il Guarany, Cavalleria Rusticana, Forza del Destino, among others. Overseas, she acquired great outcomes on the Teatro Solis (Montevideo), Teatro Constanzi (Rome), Coliseo (Buenos Aires), Verdi (Florenza), and in the Scala (Milano). Her lengthy profession wasn’t over in 1936 and 1937, when she performed the Cavalleria Rusticana as well as the Tosca at Rio’s Teatro Municipal.