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Zé Renato

As an associate of Boca Livre, Zé Renato broke offering information, participated in Jon Anderson’s Deseo, had music recorded by Anderson, performed on the Summerstage Festival (NY, NY), and used João Gilberto in Miami. The author of strikes like “Anima” (with Milton Nascimento), “Quem Tem a Viola” (with Cláudio Nucci), “Melody for the Rainforest” (with Nucci), and “Toada” (with Nucci), Renato acquired his songs documented by Milton Nascimento, Leila Pinheiro, Lulu Santos, Zizi Possi, Nana Caymmi, MPB-4, and Boca Livre, amongst others. He in addition has been executing with samba experts like Elton Medeiros and MPB/pop performers like Lenine and Pedro Luís. Needs to play electric guitar in his teenagers, Zé Renato participated in celebrations in the ’70s and, in 1977, became a member of the group Cantares, documenting a double one with them in 1978. In 1979, he produced with Maurício Maestro, Cláudio Nucci, and David Tygel the vocal/instrumental quartet Boca Livre, perhaps one of the most essential Brazilian vocal groupings. While still in the quartet, Renato released individual tasks, like his initial solo record Fonte da Vida (1982), accompanied by Luz e Mistério (1984). In 1984, Renato began to perform in duo with Nucci, introducing within the next calendar year Pelo Sim Pelo Não. He previously his tracks “Pelo Sim, Pelo Não” (with Nucci/Juca Filho) and “A Hora e a Vez” (with Nucci/Ronaldo Bastos) included on the soundtrack from the main TV Globo cleaning soap opera Roque Santeiro. Within the next yr, he participated in the soundtrack of it Globo series O Tempo e o Vento as an interpreter, documenting Tom Jobim’s “Rodrigo, Meu Capitão” and “Dona Bibiana.” Developing in 1986 Banda Zil, Renato documented with the music group the 1988 recording Zil that premiered in the U.S, European countries, and Japan in 1990, staying for 14 days on Billboard’s Latin chats. In 1991, Zé Renato became a member of Al DiMeola’s music group, taking part in the documenting of the recording Tirami Su, also touring U.S. and European countries with DiMeola. With Victor Biglione and Litto Nebbia, Renato documented the recording Ponto de Encontro in Argentina in 1993. Arranha-Céu, focused on the older Sílvio Caldas strikes, was regarded as by critics the very best recording of the entire year and got “Mulher” included on the SBT cleaning soap opera Éramos Seis. In 2000, Renato remaining Boca Livre, dedicating himself after 2001 to interpret older samba classics and create sambas in the older tradition.

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