A good jazz pianist, York De Souza appears on greater than a dozen recordings produced between 1938 and 1950. Third , period he appears to have decreased from the picture, an designer whose status can be viewed as not merely obscure but uncommon. That is a matter of both competition and design, as De Souza immigrated to Britain throughout a period when dark jazz music artists were few in number. In the ’30s the golf swing styles which were sweeping the genre’s ground were therefore under-represented in Britain with regards to dark performers. An anthology entitled Dark British Golf swing on this issue label presents quite clear proof this just when it concerns the small amount of music artists featured. Chestnuts such as for example “Special Georgia Dark brown”, “Blue Skies” and “Stompin’ on the Savoy” are among the parts performed with a trio offering the pianist in his relatively regular business of bassist Tommy Bromley and guitarist Joe Deniz, mostly of the players to create the Hawaiian design lap electric guitar into this design. The last mentioned recordings aren’t where in fact the listener discovers De Souza, nevertheless. Much more frequently heard certainly are a series of edges cut with the fantastic French guitarist Django Reinhardt, whose prolific documenting activities and unlimited thirst for musical relationship resulted in collaborations with almost every valuable rhythm section participant in the continet. Benny Carter’s early recordings being a innovator also involve this pianist. Carter put together large groups in a number of places including Den Haag and Paris; it had been De Souza that got the decision when the Carter communicate drawn into London.