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Hailing from the town of Leeds, U.K., Worriedaboutsatan certainly are a two-piece digital clothing known for merging the stylistic components of electronica, glitch, IDM, rock and roll, and techno. Made up of Gavin Miller and Tom Ragsdale, both musicians fulfilled while at Leeds University of Music. The set bonded over an understanding of post-rock works such as for example Mogwai and Explosions in the Sky, aswell as atmospheric digital works such as Planks of Canada and Underworld. Ultimately, the two made a decision to type a task of their very own; originally going with the name “Johnny Poindexter.” The duo eventually made a decision to name themselves after a melody with the Belgian rock-band dEUS, and Worriedaboutsatan was created out of their desire to mix the many mixed components of both their distributed and disparate musical likes. After spending a few months tinkering with different noises and technique, the duo released their initial independent discharge, EP1, in 2006. Nevertheless, it was not really until they implemented up with EP2 in 2007 that they begun to receive even more widespread interest and acclaim from assorted magazines. Over time off to finesse their audio and explore different ways of fabricating atmospheric soundscapes, Worriedaboutsatan came back in ’09 2009 using their 1st full-length work, Arrivals. The record received constant acclaim, garnering evaluations towards the soundscape worlds of fellow atmospheric functions such as for example Hammock and Celebrities from the Cover. More success adopted, particularly with raising usage of the duo’s function in numerous English television applications. They returned by the end of 2009 with Arrivals Remixed, a assortment of remixes from underground digital producers. Following years noticed no activity in the Worriedaboutsatan camp as both producers centered on part tasks, until they all of a sudden came back in 2014 with a fresh single “I’m Not really/The Next Circular,” released through their personal imprint, THAT IS It Forever. In 2015, they released their second full-length, Actually Temper. The come back was welcomed by critics and followers alike, numerous noting the record’s eclectic mixture of ethereal strings and acidity home basslines. The music group also started to switch and completely develop their live shows, with all guitar-oriented responsibilities directed at Miller while Ragsdale required control of most digital and digital components of their audio. The amount of their concert events increased, using the set eventually touring and carrying out alongside functions such as for example Yndi Halda, 65daysofstatic, and Maybeshewill. Their workflow burgeoned, and 2016 noticed the discharge of Empty Tape, which discovered the duo incorporating both organic and digital elements in identical measure. The record highlighted guest shows from Bristol-based digital outfit Encounter + High heel and Vincent Cavanagh from the band Anathema.

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