Wolfgang Schöne, an extremely successful concert vocalist early in his profession, seamlessly produced the changeover to opera, creating a reputation among the finest German baritones of his day time. His selection of repertory in both realms continues to be broad, from your cantatas of J.S. Bach to Schoenberg’s Moses und Aron; and from your operas of Monteverdi and Mozart to the people of Pfitzner (Palestrina) and Henze (The British Kitty). He in addition has sung and documented Mendelssohn’s Elijah, Mahler’s Symphony No. 8, Schubert tracks, Wagner’s Parsifal (Amfortas), and countless jobs in operas by Verdi, Richard Strauss, Tchaikovsky, Zemlinsky, Penderecki, yet others. But Schöne’s repertory isn’t only broad, it really is huge: he provides performed and documented a lot more than 80Bach cantatas, 40 operatic jobs, and numerous tracks and concert functions. Schöne’s voice can be lyrical and warm and he provides regularly received high compliment for his dramatic abilities. He has made an appearance at lots of the main opera homes and concert halls in European countries as well as the U.S. and spent some time working with such conductors as Jochum, Karajan, Mehta, Muti, Sinopoli, and Rattle. He provides produced countless recordings to get a spate of brands, including Supraphon, Hänssler Classics, Bayer Information, Naïve, Naxos, and EuroArts. Schöne was created in Poor Gandersheim, Germany, on Feb 9, 1940. His vocal research were on the music conservatories in Hanover and Hamburg. After building himself being a concert vocalist, he released his profession in opera in 1970. From about this time and in to the 1980s Schöne was active recording lots of the Bach cantatas, under conductor Helmuth Rilling, for the Hänssler Classics label In 1973 Schöne joined up with the Stuttgart Opera, and, from 1974, started appearing on the main opera homes in European countries. Though Schöne sang many specifications, he was unafraid of tackling the modern: in 1983 he sang Tom in the premiere of Henze’s The British Cat. Schöne continuing to defend myself against new operatic jobs — the Count number from Richard Strauss’ Capriccio on the 1985 Salzburg Festival, Dr. Schön in Berg’s Lulu on the Théâtre du Châtelet in 1991, and many more. Schöne has continued to be active in the brand new hundred years in both recording studio room and on the operatic stage. Certainly, but what’s perhaps most memorable about him is usually his durability: he offers remained energetic well into his sixties, performing challenging functions like Lodovico Nardi in Schreker’s Die Gezeichneten to acclaim in the 2005 Salzburg Event.