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Eccentric pop genius Ulysses Adrian “Roy” Wood formulated the Electrical Light Orchestra from the Move, a great English band within an era of great English bands. However, due to a rift with Jeff Lynne, Real wood left ELO following the debut No Response and developed Wizzard, a bizarre octet who debuted in a 1972 Wembley Rock and roll ‘n’ Roll Event and captured the airwaves with “Ball Recreation area Event.” Wizzard got two chart-toppers abroad, “Find My Baby Jive” and “Angel Fingertips.” Chaotic but generally melodic, Hardwood built a distinctive wall of audio around these as well as other dandies like “Stone Wintertime” and perennial champion “I Wish MAYBE IT’S Christmas EACH DAY.” Wizzard also jabbed the ascending ELO with “Bend Over Beethoven.” In the heart of this insanity, Hardwood sported multi-colored beard and mane, added a superstar to his forehead, and protected his encounter (perhaps inspiring enthusiast Paul Stanley) with warpaint, sprinkles, or many various other oddities. Wizzard appeared to just maintain achievement with singles nevertheless, as well as the Introducing Eddie as well as the Falcons LP, a tribute to early rock and roll symbols like Del Shannon, Gene Vincent, and Cliff Richard, became Wizzard’s final function. Supervisor Don Arden appreciated stadium success within the U.S., but Wizzard folded when administration didn’t increase financing. Hardwood held bassist Rick Cost and saxophonist Mike Burney for the Wizzo Music group, whose jazz-funk wafted beyond industrial confines for the lone work, Super Dynamic Wizzo. Wizzo expired in 1978, Hardwood carrying on his concurrent single career and fundamentally falling out of view, reappearing periodically to execute with disciples Cheap Technique.

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