Rolling Rocks’ guitarist Keith Richards fell deeply in love with Jamaica once the group was documenting their record Goat’s Mind Soup at Active Studios in Kingston in 1972, and subsequently bought a house in the island’s north shore in Ocho Rios, where he became friends with an area nyahbinghi drumming collective led by ska star Justin Hinds. Richards ultimately documented the group one night time in his very own yard in Ocho Rios in nov 1995, after that spent a few years carrying out light overdubs in the documenting before launching it by himself label in 1997 as Wingless Angels. The record, that is wonderfully offhand and romantic, offering unison vocals and African-styled hands drumming, includes a silent, timeless charm, because of the crickets and peepers which are audible between tunes. The choices are mainly traditional Religious hymns which have been retooled to Rasta ends, along with Hinds’ basic, steady vocals at the forefront, Wingless Angels includes a effective meditative effect. The Angels aren’t an organization in the industry sense, similar to a assortment of musical neighbours, but its regular membership contains Hinds, Winston Thomas, Milton “Neville” Beckerd, Locksey Whitlock, Warrin Williamson, Maureen Fremantle, and Vincent “Jackie” Ellis. Richards added acoustic guitar and keyboard details to the completed album, alongside additional light refinements from Blondie Chaplin and Frankie Garin, who brings a faint Celtic experience to the task along with his flute and violin playing. The outcome is a lot more Jamaican than Rolling Rocks in firmness, and produces an utterly exclusive and refreshing hearing experience.