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Willie Bobo

Willie Bobo was among the great Latin percussionists of his period, a relentless swinger for the congas and timbales, a flamboyant showman onstage, and an engaging if modestly endowed vocalist. He also produced serious inroads in to the pop, R&B and right jazz worlds, and he constantly stated that his preferred music was Antonio Carlos Jobim’s “Dindi.” We were young in Spanish Harlem, Bobo started for the bongos at age group 14, and then find himself carrying out with Perez Prado a yr later, learning with Mongo Santamaria while offering as his translator, and becoming a member of Tito Puente to get a four-year stint at age group 19. Mary Lou Williams offered Correa his nickname Bobo if they documented together in the first ’50s. After dealing with Cal Tjader, Herbie Mann and Santamaria with whom he documented the evergreen Latin regular “Afro-Blue” — Bobo stepped ahead in 1963 along with his 1st recording like a innovator, with Clark Terry and Joe Farrell as sidemen. Documenting for Verve within the middle-’60s, Bobo accomplished his highest single presence with albums that enlivened pop strikes of your day with Latin rhythms, spelled by sauntering originals like “Spanish Grease” and “Fried Throat Bones plus some House Fries.” Furthermore, Bobo performed on innumerable periods in NY, recording with performers like Mls Davis, Cannonball Adderley, Herbie Hancock, Wes Montgomery, Chico Hamilton and Sonny Stitt. In 1969, he transferred to LA where he led jazz and Latin jazz combos, made an appearance on Costs Cosby’s initial humor series (1969-1971) and short-lived 1976 range show, and documented by himself for Sussex, Blue Be aware and Columbia. Among Bobo’s last performances, only 90 days before his loss of life from cancers, was at the 1983 Playboy Jazz Celebration where he reunited with Santamaria for the very first time in 15 years.

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