Williams (well-known for his Small Richard-esque late-’50s strikes) and guitarist Watson (who have had some R&B strikes) were little, well-traveled veterans of rock and roll and R&B if they teamed up in the mid-’60s, with memorable outcomes. The partnership started in 1965, when Williams — whose “DECELERATE,” “Poor Boy,” and “Dizzy Miss Lizzie” got recently been documented with the Beatles — toured with Watson in the U.K., where they released several live albums. In 1967, that they had a little R&B hit using a edition of Cannonball Adderley’s “Mercy Mercy Mercy”; that they had an even smaller sized R&B graph item with “No one,” a mini-landmark fusion of spirit and psychedelia which the duo had been backed with the California acidity/folk-rock music group Kaleidoscope. In 1967, in addition they recorded an record for Okeh which discovered them modified to contemporary spirit trends with unexpected natural ease. This is the top of their cooperation, although they might continue to interact sometimes until Williams’ loss of life in 1980.