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Wilhelm Stenhammar

Stenhammar was a Swedish pianist and self-taught composer and conductor. His compositions started as typically past due Passionate fare but developed through three intervals. In the 1st, his primary affects had been Liszt, Brahms, and Wagner, however the music is definitely imbued having a Nordic audio without particularly quoting Swedish folk music. His early operas Gildet på Solhaug (1892-1893) and Tirfing (1897-1898), although unsuccessful, had been the pinnacles of the period. Stenhammar’s second period started as he attemptedto create a far more focused and motivically focused design, modeled on the fantastic classicists Beethoven, Haydn, and Mozart. Regardless of this, the music of the period loses non-e of its Nordic color. His outstanding cantata Ett folk (1904-1905) as well as the often performed Second Piano Concerto will be the most consultant. From 1909, probably feeling his insufficient training was harmful to further advancement, Stenhammar involved upon a nine-year training course in stringent counterpoint. The fruits of this research led to his last period, where in fact the music becomes even more contrapuntally and modally focused, particularly within the last two of his six string quartets. However at exactly the same time, his bigger works, like the orchestral Serenade and the next Symphony, lose nothing at all of the sooner freshness and motivation that produce Stenhammar’s music therefore appealing. Stenhammar’s early years had been spent encircled by tradition, although he under no circumstances undertook formal teaching except in piano. By 1900, he previously established himself like a pianist, ultimately providing over 1,000 concerts around Sweden. He previously also debuted like a conductor in 1897 along with his personal overture Excelsior!, and finally continued to immediate the Stockholm Philharmonic Culture, the Royal Opera, the brand new Philharmonic Society, as well as the Göttesborgs Orkesterförening. Stenhammar ultimately became probably one of the most essential Scandinavian music artists of his period, and his compositions, including many tracks, choral functions, chamber and solo items, and theatre and orchestral functions represent the very best music away of turn-of-the-century Sweden.

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