Wilhelm Backhaus was created in Leipzig, Germany, on March 26, 1884. He produced a concert debut there at age eight, and examined on the Leipzig Conservatory with Reckendorf. In 1899 he still left Leipzig to review with Eugène d’Albert in Frankfurt am Primary. He made a significant debut tour in 1900 and quickly obtained a fine popularity as a new player so when a instructor. His American debut was on January 5, 1912, in NY, playing the Beethoven Piano Concerto No. 5 with Walter Damrosch and the brand new York Symphony Orchestra. In 1930 he transferred to Lugano and obtained Swiss citizenship. Backhaus set up a teaching profession there and continuing to create concert travels throughout his extended life. His last U.S. appearance is at NY in 1962, at age group 78; testimonials judged that his power had been undiminished. He passed away on July 5, 1969, in Villach, Austria, where he previously gone to create a concert appearance. Specifically during the afterwards stage of his profession, he had an amazingly high reputation being a pianist whose devotion towards the composer’s motives was total and unselfish. His shows were within the classic type of the ones that strove to provide the music in a single broadly seen arc of idea and reasoning, embracing not only single motions but entire functions. His recorded result runs from Mozart through the primary Classical and Passionate repertoire. It isn’t unexpected that his function was particularly superb when he experienced those composers who constructed large-scale, logically built classical works, such as for example Beethoven and Brahms; in mention of his recordings of such functions, conditions like “magisterial,” “exemplary,” and “immediate” have frequently been utilized by reviewers. Past due in his existence he had become seen as a Beethoven professional, and he documented virtually the complete corpus of key pad works of this master, in addition to extensive sets of Brahms and Mozart, and functions by Schumann, Grieg, Chopin, and Liszt, including concertos and single functions. He also produced some chamber music recordings, notably of Brahms’ cello sonatas with Pierre Fournier, along with a significant account from the Schubert “Trout” Quintet.
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|Los niños de Morelia||2003||Documentary short|
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