One-hit wonders Crazy Cherry was led by Rob Parissi (singer, guitarist, songwriter), who originally shaped the group in 1970. Inspired by famous brands the Yardbirds and Sly & the Family members Stone (and called after a taste of coughing drops), the group performed around their hometown of Pittsburgh, PA, and also inked a documenting contract with Dark brown Bag Information (led by previous Grand Funk Railroad supervisor Terry Knight). However the group hardly ever released any albums for the label and split in 1975. Understandably dejected, Parissi converted his back completely on music, offering all of the band’s tools and for some time, managing a regional steakhouse. Nonetheless it wasn’t a long time before Parissi’s fascination with music came back and he shaped a new edition of Crazy Cherry with a complete fresh lineup, including Tag Ausec (keyboards), Bryan Bassett (acoustic guitar), Allen Wentz (bass), and Ronald Beitle (drums). The group was still mainly rock-based and with the public’s interest shifting to even more dance-oriented designs (specifically disco), the group was accosted nightly between models by enthusiasts who wanted these to “Play that cool music.” It wasn’t a long time before Parissi got heed and penned a music beneath the same name, an infectious ditty that merged funk and rock and roll collectively. The quintet moved into a studio room soon thereafter to record the monitor (although they experienced a cover from the Commodores music “PERSONALLY I THINK Sanctified” stood even more of a potential for becoming a strike). A pal of the engineer in the studio room overheard the monitor, eventually getting it to the eye of Epic Information, which authorized the group. “Play That Cool Music” became a monster strike in 1976, peaking at number 1 on both Billboard R&B and pop graphs, while both single and Crazy Cherry’s self-titled debut acquired platinum certification. Crazy Cherry was compensated with several accolades soon thereafter, including becoming named Greatest Pop Band of the entire year by Billboard, getting an American Music Honor for top level R&B Solitary of the entire year, and even making a set of Grammy nominations for Greatest New Vocal Group and Greatest R&B Performance by way of a Group or Duo. But Crazy Cherry became vunerable to the feared sophomore jinx so when their follow-up documenting, 1977’s Electrified Funk, didn’t spawn any strikes and sunk from view soon after its discharge, as do such further produces as 1978’s I REALLY LIKE My Music, plus 1979’s Just the Crazy Survive and do not Wait TOO MUCH TIME; Crazy Cherry split the same yr (with Parissi ultimately turning up later on as a disk jockey in Wheeling, WV). Crazy Cherry’s lone strike remains a popular in dance night clubs even today, as a set of collections were released after their break up: Play the Funk and Super Hits.