A Wesley Jackson appears to be bubbling in the backdrop for nearly every era of commercial black colored music. A guitarist with this name laid down bluesy riffs in the ’50s for Ray Charles and many more. By the middle-’70s the name Wesley Jackson was discovered with jazz-funk’s university success tale, the Blackbyrds, and a sideman who doubled on tenor saxophone and flute. “Post-millennial hip-hop for purists” is normally a tantalizing explanation from article writer Stanton Swihart regarding an early amount in the discography to get a Wesley Jackson who, from 2001 onward, offers championed hip-hop. This Jackson starts his mouth area and sings every once in awhile, taking history vocal or “vocal advertisement lib” credits on edges from the Saint and J-Live. Even more typically he fills the nonspecific role of professional producer, however in this case the facts of the work are obvious: advertising. Jackson can be a champion of the eclectic roster of performers who could be lovingly summarized as well-informed loudmouths. For the wonderful compilation entitled 7 Mind R MUCH BETTER THAN 1: No Advantage Ups in South Africa, Jackson added liner notes.