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Werner Haas

Werner Haas was a German pianist especially known for his interpretations of France repertory, specially the functions of Debussy and Ravel. But his shows of music by Chopin and Beethoven had been also extremely praised and his repertory was quite wide, increasing to Prokofiev and Kabalevsky. He was better known in European countries than in the Americas, where he by no means concertized. His many admirers assert that experienced his life not really been tragically cut brief, he would most likely have achieved acknowledgement among the finest pianists of his period. Haas was created in Stuttgart on March 3, 1931. He exhibited uncommon talent as a kid, although pianist himself was hesitant to state he was extraordinarily gifted. Still, he could have developed actually sooner but also for the exigencies due to the battle in his homeland. He enrolled in the Stuttgart Academy of Music in 1947, where he required teaching on piano from Lilli Kröber-Asche, who was simply known on her behalf Mozart interpretations. Soon after departing the Stuttgart Academy in 1954, he journeyed to Saarbrücken for just two years of research with Walter Gieseking, whose desire for the music of Debussy may possess steered Haas toward the French master’s functions. It was during this time period that he released his career having a critically well-received recital (1955) in his indigenous Stuttgart. From 1956 on, Haas toured European countries and quickly created a popularity for his Debussy interpretations. Carrying out a 1958 Paris concert, Philips professional Igor Maslowski agreed upon the pianist to a multi-year agreement along with his Dutch label. The relationship proved helpful well for both, as evidenced by Haas’ many discographic successes, including his Debussy comprehensive functions edition, that was honored a Grand Prix du Disque in 1970, and his Ravel recordings, which provided an Amsterdam Edison Award also in 1970. Though Haas started documenting in the past due ’50s, the majority of his activity in the studio room dates towards the 1960s. His 1960 documenting of Chopin Waltzes (14) garnered very much critical acclaim, also in america where it received a rave review in the January 1961 problem of High Fidelity. On tour overseas, he generally drew advantageous reviews aswell, such as for example his November 1967 London recital at Wigmore Hall and his July 1970 Milan concert, to mention but two. Haas was recognized to have a wide repertory, but from the last mentioned 1960s, he extended it to add a much greater range, with functions like Prokofiev’s Piano Sonata No. 4. Afterwards, he added that master’s Sonata No. 2 to his repertory, aswell as compositions by various other Russian composers, including Kabalevsky and Stravinsky. With the middle-’70s, Haas’ profession was completely bloom, with looks in some of the very most exclusive concert halls in European countries and turning out recordings that regularly garnered essential acclaim. Just like the American pianist William Kapell, nevertheless, his career finished abruptly and tragically: Haas was wiped out on Oct 11, 1976, inside a incident near Nancy, France, when his car collided having a truck. Lots of the pianist’s recordings remain obtainable via reissue, most within the Philips label.

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