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Wayne Raney

Known most importantly for his 1949 number 1 single “THE TREND IS TO Haul Away and Like Me,” Wayne Raney experienced a long lasting career in nation music that shown lots of the tradition’s most significant influences at mid-century. Furthermore to his performing, Raney was popular for his harmonica playing. He and his longtime stage partner Lonnie Glosson offered an incredible number of harmonicas with the email and did very much to determine the harmonica as a musical instrument available and popular almost everywhere. Born on the plantation near Wolf Bayou, AR, he experienced a feet deformity that avoided him from carrying out large farm function. He noticed a road person “choke” a harmonica and was motivated to understand the device himself. By enough time he was 13, he previously going for Piedras Negras, Mexico, over the river from Eagle Move, TX, to execute on the effective “boundary radio” place XEPN. In 1936 he fulfilled Glosson, and both teamed up in 1938 to try out on the radio train station in Little Rock and roll. They shifted to Cincinnati’s WCKY and later on to wide syndication; possibly the weighty mail-order emphasis from the boundary radio corporations, which sold from piano lessons to monkey-gland-implant impotence remedies, inspired Raney to believe with regards to advertising the harmonica to listeners who liked what he and Glosson performed on the atmosphere. After World Battle II Raney performed briefly on the air in Memphis and teamed up using the Delmore Brothers, whose wry boogie amounts, punctuated with jovial blasts from Raney’s harmonica, became nationwide strikes. In 1948, he proceeded to go solo and strike the graphs with two Best 15 singles, “Shed John Boogie” and “Jack port and Jill Boogie.” In 1949 he topped nation graphs with “THE TREND IS TO Haul Off and Like Me,” which also presented Glosson. The music crossed to the pop Best 25 and was his biggest strike. Raney subsequently documented novelty tracks in the tiny Jimmy Dickens vein, such as for example “Pardon My Whiskers” and “I REALLY LIKE My Small Yo Yo.” He performed within the Grand Ole Opry for just one year, spent several weeks touring with Lefty Frizzell in 1953, and performed within the California Hayride and WWVA Jamboree radio applications. In the past due ’50s he worked well like a DJ, opened up a recording studio room, and began the bluegrass-oriented Rimrock label, which he released many albums of his personal; the Ruler label collected a lot of his singles within the rather inaccurately called Songs from the Hillsides LP in 1958, which record had an extended life in a variety of reissues that repackaged the Ruler catalog. He documented several singles in the past due ’50s and early ’60s and continuing to market harmonicas until 1960, once the trend passed. Raney after that came back to Arkansas and documented a gospel record, Don’t Make an effort to Be EVERYTHING YOU Ain’t. He also went a chicken plantation for a while, and he made an appearance sometimes on Hee Haw within the ’70s. Ultimately his health begun to fail; he dropped his voicebox in the past due ’80s and in 1990 released a short autobiography, Life IS NOT a Bed of Roses. He passed away of cancers in 1993 and was inducted in to the Country Music Disk Jockey Hall of Popularity.

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