Trombonist Wayne Andre played in so many studio room periods that he could literally concoct an alphabet of his credits. He spent some time working with jazz and pop market leaders from A to Z, from Roy Ayers to Zulema. His dad was a saxophonist, and Andre got began with personal music lessons at age 15. By the first ’50s, he was gigging appropriately with bandleader Charlie Spivak, but completed out the initial half of the decade within the armed forces. The innovative and interesting Sauter-Finegan combo grabbed him in the summertime of 1955 when he arrived of the assistance, and early another year, Andre became a member of up with the roaring big music group of Woody Herman, an excellent place for trombonists who don’t desire anyone telling these to shade it down. Afterwards that season, he started teaming up with Kai Winding, a trombonist who was simply known for gathering jointly multiple amounts of performers for the lengthy brass instrument occasionally referred to as a “pitch approximator.” Andre was associated with Winding’s windy tasks with the springtime of 1958, also increasing his musical opportunities through studies on the Manhattan College of Music. After departing Winding, the trombonist mainly proved helpful being a freelancer around NEW YORK, spending enough time in documenting studios on pop funk periods in addition to jazz. Within the ’60s and ’70s, he proved helpful frequently with golf swing ruler Benny Goodman. Andre’s soft shade, specific articulation, and clean audio betray his allegiance to stylish trombonists such as for example Urbie Green and Carl Fontana. Documenting periods with Winding as well as the great trumpeter Artwork Farmer capture a few of Andre’s greatest playing; a lot of his program appearances feature basically section using very little area for solo areas, however the quality of his playing held him in high respect among various other players and popular on jazz and pop periods. He passed away on August 26, 2003 at age 71.