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Walter Frye

From the mid-1440s, Britain had lost all the French lands gained under Henry V and Henry VI, as well as the island kingdom itself would quickly be embroiled in the Wars from the Roses. The cross-fertilization between British and Continental music that this profession of France permitted, however, in some instances continuing unabated. The British composer Walter Frye, for example, never produced any recorded outings from the Uk Isles. His music, alternatively, traveled all over around the Western continent, reached and affected composers in French, German, as well as Italian lands. Many of his tunes resided on in decades of cyclic People made up upon them. Much like many composers from his age group, Walter Frye remaining a scant imprint upon the real documentary information of European countries. One record, a 1474 will that was prepared at Canterbury in June 1475, evidently gives his loss of life date. In addition, it provides hints to other areas of Frye’s existence. Historians have go through a feasible birthplace in Norfolk or Lincolnshire from bequests he remaining to some northern individuals. Furthermore, he appropriated moneys for “unpaid tithes” to a chapel near St. Paul’s Cathedral, recommending this region as his last home. Beyond that, we might understand two musical positions he packed (though he worked well at both for a long period). A choirmaster called Walter at Ely Cathedral in the 1440s and 1450s might have been our Walter Frye. In 1456 or 1457, the composer certainly became a member of the Guild of Parish Clerks in London; at the moment if not faster, he certainly fulfilled the composer and fellow guildmember John Bedyngham. Finally, Frye may have been utilized by the commendable Anne of Exeter (sister to both Edward IV and Margaret of York) from at least as soon as 1464 until at least 1472. Frye’s link with this essential patroness helps describe the wide reputation of his music in the continent: Anne’s sister wedded Charles the Daring, Duke of Burgundy in 1468. Manuscript resources from Burgundy include a amount of his parts, and many of his tracks in particular really managed to get onto the fifteenth hundred years “strike parade:” Tout a par moy, Mon seul plaisir, Therefore ys emprentid, and Ave regina coelorum (which also shows up with music in three modern paintings). Frye’s So ys emprentid may connect him particularly to Binchois as well as the Duke of Suffolk; Tout a par moy supplied Josquin a cantus firmus.

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