Initially conceived being a vocal and instrument free-jazz ensemble, the product from the South London Oval Arts Lab was brought jointly in 1971 simply by vocalist Maggie Nicols and Harry Vince (trumpet) and in addition comprised Brian Eley (b. 22 June 1952, Hackney, London, Britain; vocals), Dave Mitchell (tenor saxophone), Chris Francis (alto saxophone, congas), Frank Roberts (electrical piano), Georg Jensen (bass), David Nash (drums) and Mike Cousins (trombone). After carrying out within the London jazz circuit to essential acclaim, this incredibly weighty line-up collapsed and folded in 1972. 3 years later on the music group name re-emerged for the reasons of the appearance in the Polish Jazz Event, only this time around stripped right down to an a cappella quartet comprising Nicols and Eley in addition to the intro of Julie Tippetts (a previous comrade of Nicols in Keith Tippett’s Ark) and vocalist Phil Minton (b. 2 November 1940, Torquay, Devon, Britain; ex-Mike Westbrook). The group lasted hardly 1 . 5 years, but documented one recording, live in the Phoenix jazz golf club in London’s Cavendish Square in 1977. A significant source of motivation originated from African musical tradition and the usage of Nicols’ ‘nonlanguage’. This gave the audio an original dimensions with the monitor ‘Yilf Kofla’ wonderfully taking their technique. This eclecticism prompted the mentioned jazz critic Brian Case to convey: ‘Jazz? Gawd understands – but take a look. Even more arresting than Jack port Warner!’. Apart from Tippetts, Voice had been also found in the documenting of Ken Hyder’s group Talisker’s 1977 recording, Land Of Rock. Brian Eley retired to the globe of graphic artwork while the staying three continuing to explore free of charge jazz.