Among France and Europe’s most distinguished film composers, Vladimir Cosma scored a lot more than 150 movies and Television productions. Although he appreciated almost immediate achievement in comedies, he continuing to test out different designs and genres, which flexibility brought him wide worldwide acclaim. Delivered on Apr 13, 1940, in Bucharest, Romania, towards the category of a renowned conductor and concert pianist, Cosma examined music from his early years onward, ultimately attending the Country wide Conservatory in Bucharest (that he graduated with two initial awards, for violin and structure). In 1963, he visited Paris to progress his studies on the French Conservatory, where, furthermore to his traditional background, he created a pastime in jazz, folk music, and film music. Between 1964 and 1967, he toured the planet being a concert violinist, going to the U.S., Latin America, and Southeast Asia. A gathering with well-known film composer Michel Legrand became the first rung on the ladder toward his upcoming career. Cosma often credits Legrand’s importance, though he also admits the impact of such composers as Burt Bacharach and Henry Mancini. In 1967, he started his long-running relationship with film movie director Yves Robert, for whom he have scored the international strikes Alexandre (1967), The High Blond With One Dark Shoe (1972), as well as the Return from the High Blond (1974), along with the critically acclaimed dramas My Father’s Glory and My Mother’s Castle (both in 1990). He also composed the music for many comedies aimed by Francis Veber and Gerard Oury, starring such strike French comedians as Pierre Richard and Louis de Funes. One of is own biggest international strikes was the Erik Satie-inspired soundtrack for Diva (1981), that he was granted his 1st Cesar (the French exact carbon copy of the Oscar). He received another Cesar for Le Bal (1983), and the primary instrumental theme from this became a considerable hit worldwide. One of the additional awards directed at Vladimir Cosma will be the Sept d’Or, the French Television honor for L’été ’36 (1986), along with a Cannes Film Event award for the whole body of his function.