Virginia Rodrigues was an aspiring celebrity and vocalist when she caught the ear of Brazilian vocalist/songwriter Caetano Veloso. Veloso was therefore impressed by Rodrigues’ sensuous vocals that he helped her to obtain a recording contract using the Hannibal label and created her debut recording Sol Negro. Inside a 1998 interview, Veloso recalled his a reaction to Rodrigues’ performing, “To listen to this song within the celestial tone of voice that arrived from the plump body of the robust black female moved me significantly. Her tone of voice transcends the variation between erudite and well-known. I had been deeply impressed with her exclusive timbre and her profound sensibility.” Veloso had not been only in his compliment. THE BRAND NEW York Times known as Rodrigues the “fresh tone of voice in Brazilian music,” while Joe Boyd, owner of Hannibal, stated, “Virginia is interesting because she’s nearly like post-modern samba, just like a go back to the origins.” Rodrigues’ achievement contrasts using the poverty she experienced as a kid. Her mother offered fruits & vegetables and her dad sold snow cream in an area street marketplace. Although her parents were not able to cover a phonograph participant, she was launched to music by her grandfather, who performed accordion. As an associate of the Catholic chapel choir, she sang Bach and baroque music and discovered to learn music. She trained herself fundamental piano to be able to accompany herself when she used. On her behalf debut recording, Sol Negro, Rodrigues well balanced a cappella music with tracks that she documented using the accompaniment of harp, contrabass or berimbau, and percussion. Guests in the record included Milton Nascimento, Gilberto Gil, and Djavan. Rodrigues provides maintained her reference to theater. She got a major function within the film Jenipapo and in addition made an appearance in Tieta Perform Agreste and Diario De El Convento.