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Virginia Canyon

Her name appears like a marvelous spot to move hiking and even, there’s a Virginia Canyon located north of Idaho Springs, CO. The songwriter Virginia Canyon, a co-employee of Dixieland jazz experienced Lee Castle, appears to be most well-known for only 1 song, as well as that was recinded from her, actually. Acquired the tune maintained its original name of “Virginia’s Blues,” it could have got at least made some intrigue relating to the feminine subject, as there are specific listeners who prefer to understand who the “Emily” is within “Find Emily Play” etc. “Virginia’s Blues” was originally crafted by Canyon, Castle, as well as the last mentioned bandleader’s pianist Dick Cary, and was documented during a group of three periods for manufacturer Jim Davis. This materials was originally released on 10″ Jay-Dee edges that are precious collector’s products, with an early-’80s reissue on Harlequin placed on the barbeque grill for the noncollector rabble. Castle might have been as much mystified on the transformation from the song’s name as disappointed. When agreements were signed on the 1955 periods, “Virginia’s Blues” became “Stick to the White Series,” a provocative name for an instrumental. Was this in fact a melody about generating, or a musical sobriety check? At the very least, the platters arrived with “Disposition in Blue” over the label rather, returning the melody to its blues motivation with least vaguely complementing the mood from the music. Castle was associated with the music group of Tommy and Jimmy Dorsey during this time period, and sometimes proved recordings which were not necessarily that influenced. This piece, alternatively and by any name, isn’t just original but attractively carried out. A clarinet single by Peanuts Hucko can be one high stage, but it may be the unusual whistling by Bob Haggart that listeners will see hard to neglect. The thing that’s not original may be the name of “Feeling in Blue.” This is a name that was most likely becoming chiseled out by songwriters through the Rock Age. In the same era from the documenting market, the Victor Salon Orchestra, a pseudonym for the most common gang of ’20s studio room players, documented their personal “Feeling in Blue” for Victor. Jazz enthusiasts are more acquainted with another “Feeling in Blue,” created and released by alto saxophonist and composer Gigi Gryce, that was recorded from the Earl Bostic Orchestra for Ruler, also in the middle-’50s.

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