Initially, Vincent Vallières presents zero distinctive characteristic: he doesn’t have an especially charming voice, spectacular visual appearance, or a unique background. Actually, his friendly and relatively careless demeanor on stage make him qualified to receive the anti-star position. Nevertheless, his music present a precocious skill for smart lyrics and practical delivery. Vallières was created in Sherbrooke, Québec, in 1978. He discovered to play your guitar and began singing the music of Harmonium, Robert Charlebois, and Paul Piché at celebrations like so a great many other youthful Quebecers. At age group 15 he had been writing his very own music though and gained second place at a local chapter of your competition Cégeps en Spectacle in 1996 along with his group Trente Arpents (through the title of the book by Ringuet, essential reading for Quebec university students). Using the award cash, the quartet documented a demo Compact disc, Le Vent du Nord (today a collector’s item). In past due 1997, Bernard Y. Caza, a concert hall owner and record manufacturer, agreed upon the group. Saxophonist Martin Pruneau was demonstrated the entranceway, bassist Michel-Olivier Gasse and drummer Claude Lacroix had been relegated towards the position of backup music group. Guitarist Sylvain Lussier was employed to place flesh across the singer’s strumming and an initial official album, entitled Trente Arpents and made by ex-Octobre Mario Légaré arrived on Productions BYC (Caza’s label) in 1999. Despite two minimal strike singles on industrial radios, reviews that are positive, and steady shows through the entire province, Montréal continued to be off-limits. The youthful vocalist/songwriting was offered a taste from the metropolis’ renowned disdain for performers stemming from the trunk nation. Still, he participated towards the Francofolies celebration and was nominated in 1999 and 2000 for the Félix Leclerc prize (most guaranteeing newcomer). As the group was attaining knowledge touring the province as well as going on a trip to the Canadian Prairies with Marie-Jo Thério, it became apparent that Trente Arpents didn’t meet Vallières’ creative eyesight. While his supervisor was trying to advertise him as the wonderful boy nearby, the vocalist was turning even more raw and even more rock and roll on stage. Lussier was decreased and for some time Vallières performed like a trio, providing him much-needed self-confidence. A stronger Compact disc, Bordel Ambiant, was documented in those days and arrived in Oct 2001. Made by Les Chiens’ Éric Goulet, it inscribed Vallières in the wake of Quebec rock and roll performers like Daniel Boucher as well as the roaster from the label La Tribu (Fred Fortin, Martin Lapalme).