Jamaican Vincent “Tata” Ford will forever be associated with Bob Marley, since he’s posted as writer or co-writer of 4 of Marley’s music, like the iconic “Zero Woman, Zero Cry” in the 1974 album Natty Dread and 3 music, “Positive Vibration,” “Root base Rock and roll Reggae,” and “Crazy Baldhead,” from 1976’s Rastaman Vibration. Ford was created at Spanish City Road but transferred to Kingston’s Trench City in the past due ’50s. He fulfilled Marley soon after the vocalist also arrived in Trench City from his indigenous St. Ann. Ford, wheelchair-bound after shedding his hip and legs to diabetes, became sort of coach for the teenaged Marley, nourishing him and providing his semi-public kitchen at No. 3 Initial Street, referred to as the Casbah, as both a location to rest and an all-night practice and rehearsal space for the nascent version from the Wailers. Whether Ford in fact had a big hand in composing some of Marley’s materials is anyone’s figure at this time, but one theory is the fact that assigning Ford co-writing credit in the pieces involved was Marley’s method of assisting out a pal who had frequently helped him. Ford himself was enigmatic about them, never saying straight the type of role he could have performed in Marley’s innovative process. The complete matter sparked a courtroom battle within the 1980s between Marley’s previous publisher, Danny Sims, and his widow, Rita Marley, with Sims asserting that Marley merely attached Ford’s name towards the music to escape agreement commitments. The jury in 1987 didn’t agree, as well as the Marley property has maintained control on the disputed music. Nevertheless the compositions had been created, Ford was, at the minimum, an inspiration towards the youthful vocalist and songwriter. Ford passed away on Dec 28, 2008, in St. Andrew at age 68.