Vic Breidis

Among the skills turned out from the Ben Pollack college of jazz, pianist Vic Breidis can be from the earliest recordings of Benny Goodman. Breidis may be the author of the golf swing jazz regular “Lazy Tempo,” although he could have been sluggish himself when it found arranging posting copyright, since this melody seems to feature a different writer credit nearly every time it seems. Clarinetist Goodman was just 18 during the 1928 Benny Goodman’s Children program, and like lots of the edges Breidis shows up on, the music group is filled with main jazz names on the way to developing whiskers. In cases like this both Jimmy McPartland and Glenn Miller had been on board, savoring an interval in Goodman’s profession when the nit-picking bandleader was much less problematic for his sidemen to cope with. Still, the true benevolent bandleader in Breidis’ lifestyle could have been drummer and vocalist Pollack, known for developing abilities such as for example Larry Binyon Harry Goodman, Fud Livingston, Gil Rodin, and Ray Bauduc, not forgetting Miller and Goodman themselves. In early 1928, Breidis was playing within a Pollack lineup that acquired just utilized the great saxophonist Bud Freeman right into a reed section offering Goodman aswell; for brass, Pollack acquired Al Davis on trumpet plus McPartland on cornet and Miller on trombone. Breidis acquired to learn his charts properly in this complicated music group, or at least with relatively more accuracy than shown by jazz brands such as for example Jazz Oracle that have continuously misprinted the pianist’s name as “Briedis.” It really is Breidis, and he worked well in a number of different Pollack rings including Ben Pollack & His Californians, Ben Pollack & His Recreation area Central Orchestra, and Ben’s Poor Kids. Like many jazz pianists during this time period, on occasion he’d test out the chimey-sounding key pad known as a celeste. The pianist also cut edges using the Hotsy-Totsy Gang, a loose conglomeration of white jazz all-stars structured by publisher, “composer,” and close Duke Ellington associate Irving Mills. Quotations are used because so many from the Mills composing credits had been the sorts web publishers basically seized for themselves during this time period, but the guy was not without musical talent predicated on his personal recording actions in the past due ’20s. These classes were a chance for Breidis to associate with famous brands trombonist Miff Mole, drummer Gene Krupa, guitarist Eddie Lang, guitarist and banjoist Dick McDonough, clarinetist Pee Wee Russell, trombonist Jack port Teagarden, violinist Joe Venuti, and vocalist Elisabeth Welch, aswell as much of the additional names mentioned previously. The resulting classes were advertised to be “so hot the music needed to be created on bedding of asbestos,” a declare that perhaps ought to be retracted given that the second option substance continues to be linked with tumor.