Tim Foljahn, the guiding force behind Two Money Electric guitar, began the music group when he landed in Hoboken, NJ, after many years vacationing around the united states, with brief halts in New Orleans, Alberquerque, and Chicago. Starting up along with his friend, Sonic Youngsters drummer Steve Shelley, he begun to record a assortment of dark ballads that he previously gathered during his moves. The effect was his debut one, “Lost Parrot” (HAS THE AROMA OF Records, 1995), that was made by Shelley and highlighted him on percussion, but irrespective was generally a solo work by Foljahn. Immediately after, they released I WANT TO ENABLE YOU TO GET Down, also on HAS THE AROMA OF Information, which delved deeper into Foljahn’s assortment of grim music. Foljahn and Shelley’s relationship was developed additional as they started playing as well as other bands. Throughout the discharge of I WANT TO ENABLE YOU TO GET Down, they devote time with groupings like Mosquito, Man Slut (with Thurston Moore), and Kitty Power. Their second full-length released on HAS THE AROMA OF Information in 1996, Burnt and Buried taken in many more visitor music artists and reached deeper into folk, jazz, and blues origins, incorporating pedal metal and blues harp to generate an recording that presented mature instrumental are very much as lyrics. Two Buck Guitar, essentially, became a complete music group with this recording because they added ex-Cell bassist Dave Motamed like a long term member. A set of singles through the Burnt and Buried classes, “Woman Killing Guy” and “Erl Ruler,” had been also released in 1997. Not really content to avoid experimenting, two uncommon projects had been released in 1998. Resort Opera, a single recording by Foljahn beneath the name la Lengua Asesina, presented a far more minimal audio; Train Tracks, which presented all three people from the trio, dispensed using the lyrics completely to permit instrumental tracks to develop and bloom in lots of different directions, highlighting the advancement and developing cohesiveness of the music group. Weak Beats and Lame-Ass Rhymes adopted, released in 2000 by HAS THE AROMA OF Records.