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Trio Madeira Brasil

Worried about the virtuosic, harmonic, and melodically wealthy renovation from the choro genre, pursuing in the actions from the Camerata Carioca and of Radamés Gnattali’s teachings, the Trio Madeira Brasil intersperses classic music (becoming symptomatic the obvious lack of the pandeiro or any additional rhythmic instrument within the group’s formation) in its performances, but attempts to remain mindful of Brazilian traditions. The group, created by mandolinist Ronaldo perform Bandolim, a previous person in the Época de Ouro and regarded as the very best interpreter of Ernesto Nazareth; the classically qualified José Paulo Becker (violão, or classical guitar); and Marcello Gonçalves (seven-string acoustic guitar), released their first recording, Trio Madeira Brasil, in 1998, which experienced compositions by Ernesto Nazareth and Jacob perform Bandolim, and by modern composers such as for example Edú Lobo, Egberto Gismonti, and Chico Buarque. The recording got them two nominations for the 1998 Clear prize for Greatest Group and the very best Album. Another yr, they performed in the Totally free Jazz Event and in 2001 within the sufficient choro panel recognized in the CCBB (Banco perform Brasil Culture Middle) in Rio, with associates from the genre from Brasília, São Paulo, the Northeast, and Rio.

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