Trio de Ouro

This vocal group officially formed in 1939 following the breakup of Herivelto Martins and Nilo Chagas’ Preto e Branco duo. Adding Dalva de Oliveira finished Trio de Ouro, which got its peak within the next 10 years with two immortal classics, “Ave Maria no Morro” (Martins) and “Praça Onze” (Martins/Grande Otelo), both released in 1942. From 1936 to 1939, the three of these performed beneath the name Dalva e a Dupla Preto e Branco, since it shows up in the credits of their first strikes from 1937: the saving of Príncipe Pretinho’s “Itaquari” and “Ceci e Peri.” In 1938, when Martins and Oliveira had been already living collectively, the trio was employed by Rádio Mayrink Veiga, where these were provided the name Trio de Ouro by César Ladeira. The denomination just appeared within their 1939 documenting of “Quem Mora na Lua” (Pretinho) and “Madalena Se Zangou” (Sinval Silva e Santos), actually if Carmen Miranda’s 1938 documenting of Martins’ “Meu Rádio e Meu Mulato” currently brought credit to Miranda and Trio de Ouro. The starting place from the trio’s nationwide success arrived in the past due ’30s, if they performed in Bahia, having got to accomplish five encores of the signature tune compiled by Martins that originated in to the samba-canção “Senhor perform Bonfim,” documented from the trio in 1947. After departing the Rádio Mayrink Veiga, the trio worked well at Rádio Clube perform Brasil, being employed with the most esteemed Rádio Nacional in 1942. The trio was dissolved in 1950 using the separation from the few. Soon soon after, Martins invited vocalist Noemi Cavalcanti starting a new stage that finished in 1952, when brand-new adjustments in the formation happened. The brand new trio was Martins, Raul Sampaio, and Lourdinha Bittencourt. These were employed by Rádio Nacional and toured through Argentina, Chile, Uruguay, and Peru, effectively documenting several music (like “Sereno,” “Índia,” “Saudades da Mangueira,” among others) until its long lasting dissolution in 1957.