The musical traditions from the eastern and traditional western worlds are bridged with the improvisations of Bombay, India-born percussionist/vocalist Trilok Gurtu. Gurtu’s mastery of post-bop jazz hasn’t gone undetected. Downbeat magazine called him “greatest percussionist” in three critic and reputation polls and proclaimed, “musically, the planet is normally his stage”. Jazz newspaper, Right No Chaser had taken a similar watch, composing, “this music includes a transcendental quality and gets rid of any road blocks that rest between traditional western and eastern improvised music.” Gurtu’s eclectic strategy has allowed him to collaborate with a number of the world’s most significant musicians. An associate of trumpeter Don Cherry’s music group from 1976 to 1978, Gurtu spent some time working with such important music artists as jazz guitarists Philip Catherine, John McLaughlin, Ralph Towner, Pat Metheny and Larry Coryell, rock and roll guitarist David Gilmore, saxophonists Jan Garbarek and Costs Evans, percussionist Nana Vasconcelos, jazz keyboardist Josef Zawinul and traditional pianists Katia and Marielle Labeque. Gurtu was an associate of acoustic jazz fusion group, Oregon, from 1984 to 1988. A indigenous of Bombay, India, Gurtu comes from a musical family members. His grandfather was a favorite sitar participant and his mom, Shobha Gurtu, was an important vocalist of Indian traditional music. Studying to try out the tablas from age six, Gurtu captivated international attention within the middle-1970s when he performed with Charlie Mariano and John Tchicai. In 1977, he followed vocalist Asha Bhosle during her NY concerts. After touring and documenting with Don Cherry for just two years, Gurtu emigrated to Hambug, Germany in 1978. Soon later on, he toured with Belgian guitarist Philip Catherine and documented an recording, End Of August, with Catherine and Mariano. In the summertime of 1993, Gurtu toured European countries inside a duo with Josef Zawinul and documented an recording, Crazy Saints, with Zawinul and Pat Metheny. Gurtu proceeds to instruct drum treatment centers and perform at traditional events with contemporary dancer Carolyn Carlson. In the summertime of 1998, he toured with Andy Summers and Larry Coryell. The entire year 2000 saw the discharge of African Dream. Beat of Like followed another spring.