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The Swedish digital indie pop duo Tribeca includes melancholy folk-pop songwriter Lasse Lindh and producer Claes Björklund, united in the valuable if ambitious mission “to create music [they] cherished but never noticed anywhere.” The outcomes may possibly not be mind-blowingly exclusive, but they perform stick out as even more sonically daring than the majority of their compatriots in the Labrador information stable, while just like melodically earning. The initial Tribeca discharge, 2002’s Kate-97, was in a few methods a continuation of Lindh’s second record (and English-language debut), You AWAKEN at Ocean Tac, which Björklund got created — albeit with a far more upbeat strategy and fresh, careful, however endearingly lo-fi creation style that mixed designed beats and analog synthesizers with crunchy guitars and hushed support vocals. Singles included the bouncy, danceable “Teenage” and a cover of a-ha’s “SUNLIGHT Often Shines on Television.” When Lindh and Björklund came back to the studio room that summer, it had been to focus on a guitar-based third Lasse Lindh record — but in some way the pair finished up creating another record of digital pop music that premiered beneath the Tribeca moniker rather, as Dragon Down, in 2003 .

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