Taking advantage of and subsequently bolstering a seminal St. Paul, MN, underground picture, Triangle’s genesis emerged in 1998 when Susan Lindell and Brian Tester started toying with the thought of assembling an electric pop music group. When Lindell’s previous friend and like-minded digital experimenter Amanda Warner used in St. Paul’s Macalester University from Portland, OR, afterwards that calendar year, the pair asked her to become listed on the lineup, completing Triangle’s preliminary incarnation. The music group released its homemade, self-titled four-song debut EP in the springtime of 1999 alongside bows from various other St. Paul-based soon-to-be-luminaries the Selby Tigers and Sean Na Na. The three groupings helped to define the burgeoning and different personality of an extended dormant St. Paul music picture, making a significant difference between their town and its own long-rivaled your government over the river, Minneapolis. Triangle was proclaimed with the band’s fondness for unusual period signatures and Tester and Warner’s instantly identifiable harmonies. Catchy and clean, the disc captured the ears of university radio taste-makers and was shortly a staple in the Twin Metropolitan areas airwaves; the air exposure, combined with the band’s groovy tongue-in-cheek live display, produced them a scorching ticket. Carrying out a lifelong wish, Lindell still left the music group in 1999 to become listed on the touring musical The Pal Holly Story being a electric guitar tech, departing Warner and Tester to transport the Triangle torch being a duo. 2000 noticed the discharge of their Look Meeter EP, which further noted and solidified Triangle’s synthesizer-informed make of quirky, upbeat pop, and in addition brought the music group to the interest from the Philadelphia centered label, Document 13 Information, who released Triangle’s 1st full-length Compact disc in the fall months of 2001.