The popularity of Dirty South-style rap artists has helped put St. Louis for the musical map, specifically following the large achievement of Nelly’s Nation Grammar record. The city’s accurate musical style is situated somewhere within the South as well as the Midwest, though, using a diverse assortment of performers who draw just as much motivation from Chicago as Atlanta. Delivered and elevated in St. Louis, Toya (delivered Toya Rodriguez) was mentored with the same individuals who helped Nelly attain fame, but utilized that help produce an record in her very own unique style. Following a years as a child spent performing in cathedral and college, Toya was participating in St. Louis College or university on scholarship, functioning two careers, and writing tracks and documenting demos in her free time when she produced preparations to sing for Nelly’s managers, Tony Davis and Courtney Benson. She sang a gospel tune, “I WILL NOT Complain,” on the Friday, as well as the set were therefore impressed they asked her to provide them two brand-new songs by the finish from the weekend. Despite needing to function that weekend, Toya place two songs alongside the help of her longtime friend and supervisor, Harold Man, and a specialist songwriter. The tracks were performed for L.A. Reid of Arista Information and he enjoyed them a lot that he flew her to NY to audition. That audition resulted in a recording agreement and the discharge of her self-titled debut record in the summertime of 2001. Using its initial single, “I REALLY DO,” the record produced an impressive influence amidst a ocean of produces from various other baby divas, partly due to the stylistic variety of its tracks that ranged from hip-hop inspired R&B amounts to jazzy ballads and dance music. Guest performances by Murphy Lee from the St. Lunatics and Penelope also helped supply the album a distinctive St. Louis taste.