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Danish DJ and producer Tommy Gee shaped ambient-techno-funk outfit Tournesol with partner Thomas Lynge in 1990, following some live performances and a smattering of production work for Western european techno pioneer Kenneth Bager (of Dr. Baker popularity). Deriving the name from Gee’s propensity being a DJ for tossing in snippets of Tintin read-along information (Tournesol may be the mad teacher personality in Belgian musician Herg√©’s famous remove), the group’s function first appeared over the Danish Compact disc task Secrets, funded by the federal government as a display for local unidentified talent. Carrying out a scattering of compilation performances and an extremely successful remix of the Cut’N’Move monitor, Tournesol signed using the Belgian R&S label, by which they’ve released all their EP- and album-length function under that name. Mainly participating ambient, techno, electro, and funk on monitors not instantly recognizable as dancefloor fare, Tournesol’s two full-length albums, Kokotsu and Moonfunk, are extremely respected for pressing genre limitations into regions of suggestive, far-reaching overlap. Furthermore to Tournesol, Gee in addition has released materials as Phrase Up and Phat Phorce. The group also penned a cope with EMI Denmark as Phuture Rhyme, a far more pop-oriented, mainstream dance crossover device.

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