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Tose Proeski

Probably the most promising Macedonian pop star of his generation, Tose Proeski was in the zenith of his fame and influence when a car crash claimed his life at age 26. Created Todor Proeski on January 25, 1981, in Prilep, he grew up in close by Krusevo, studying traditional music with age 12 appealing to widespread interest for his efficiency in the annual children’s music event Zlatno Slavejce. Following looks at Stip’s Makfest event vaulted Proeski to sustained renown, and in 1997 he obtained his first radio strike with “Pusti Me.” In cooperation with famed Macedonian composer Grigor Koprov, he had written the smashes “Usni na Usni” and “Sonce vo Tvoite Rusi Kosi,” finally liberating his debut single LP, Nekade vo Nokta, in 1999. Serbian label BK Sound certified international distribution privileges for Proeski’s 2000 sophomore work, Sinot Bozji. Along with his good looks, effective tone of voice, and slickly industrial pop approach, he quickly surfaced like a superstar through the entire Balkans, and in addition toured Australia (house to an evergrowing Macedonian community) to tremendous achievement. Proeski traveled to Athens to record his third full-length, Ako Me Poglednes vo Oci, slicing variations in both Macedonian and Serbian; the sole “Beovizija” was a blockbuster strike through the entire Balkans, as well as the recording was so thoroughly bootlegged how the singer was presented with the nickname “Kralot na Piraterite” (i.e., Ruler from the Pirates). Proeski celebrated his industrial triumph with some advantage concerts throughout Macedonia, making the Mom Theresa Humanitarian Honor for his attempts. In 2004, he was chosen to represent his homeland in the annual Eurovision Music Competition via the one “Angel si Ti,” to arrive 14th in general competition. That Apr, he released his 4th record, Den za Nas, and with the discharge from the charity one “This Globe,” he was called UNICEF Goodwill Ambassador. “Krajnje Vreme,” a duet with Slovenian vocalist Anja Rupel, preceded the 2005 discharge of Po Tebe, the initial Proeski record released in Slovenia and Croatia. The record proved perhaps one of the most effective Balkan albums ever, topping graphs across five countries. Proeski implemented the record with Bozilak, a assortment of traditional Macedonian music recorded in cooperation using a symphony orchestra. He came back to a far more typical pop formulation for what demonstrated his final studio room work, 2007’s Igri bez Granici. Through the morning hours of Oct 16, 2007, Proeski was wiped out in a vehicle accident over the Zagreb-Lipovac Highway beyond Nova Gradiska, Croatia. On Oct 17, pronounced a nationwide time of mourning across Macedonia, he was laid to rest during the official condition funeral in his hometown of Krusevo. Some observers observed that over the area he was the main topic of mourning not observed because the 1980 loss of life of Yugoslav statesman Marshal Josef Tito.

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