Bluegrass and old-timey string music group customs are fused in to the deeply personal single banjo and fiddle design of Tony Ellis. A five-time receiver of composition honours from your ASCAP (American Culture of Composers and Web publishers), Ellis was presented during a nationwide Masters from the Banjo tour, sponsored from the Country wide Folk Council for the original Arts, in 1997. Ellis was trained the two-finger design of playing banjo by his grandmother, an old-time fiddler. Upon hearing a radio broadcast by Flatt & Scruggs within the middle-’50s, Ellis marketed his high-school trumpet and bought a resonator banjo. After learning with Swanson Walker and Don Reno, Ellis became a member of Costs Monroe & His Bluegrass Children in 1960, documenting 22 tracks through the two . 5 years that he used the important group. In 1962, Ellis performed with Macintosh Wiseman at Carnegie Hall in NY. Although he still left full-time performing quickly afterwards, he continuing to build up his unique audio. Temporarily surviving in the Bristol, TN, region, he performed old-timey music with Bruce Mongle, George Pegram, and Tommy Jarrell. After relocating to south central Ohio, he used many bluegrass and old-timey rings. Ellis’ two albums, made by Stephen Wade, had been vital successes. Dixie Banner, released in 1987, was called among the five greatest albums of the entire year by Country wide Community Radio. Farewell My House, released in 1993, was included on the annual TOP list published by The Washington Post. Ellis was followed on both albums by his kid, Costs Ellis, a graduate from the Cincinnati Conservatory of Music using a level in classical electric guitar. In 1993, Ellis performed banjo and fiddle within the People’s Light and Movie theater Company’s creation John Brown’s Body in Malvern, PA. The record Quaker Girl implemented in 1999, and in middle-2000 Ellis came back with APPEARS LIKE Bluegrass if you ask me.