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Not really a true music group, the Toms was in fact the solo task of singer/songwriter Tom Marolda, a company believer in D.We.Y. concepts who played all the tools on his 1979 self-titled debut work. The recording was the group’s lone documenting, and for that reason of distribution complications, it became a very much sought-after cult object because the years approved; finally, in 1997, the Not really Lame label reissued The Toms for mass intake, filled with seven unreleased monitors.

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