In the mid-’70s, engineer, songwriter, and musician Tom Trefethen began an extended association with soft rock-band Ambrosia, engineering their first three albums. The roots of this relationship can be tracked to the first ’60s when Trefethen and upcoming Ambrosia bassist Joe Puerta struck up a camaraderie, learning electric guitar and writing music jointly. While in senior high school, Trefethen used another Ambrosia founding member, Christopher North, in the psych-rock clothing Blue Toad Flax. Along with Burleigh Drummond and David Pack, North and Puerta produced Ambrosia in 1971. Though it had taken the group a couple of years to score an archive offer, their debut record — made by Alan Parsons and manufactured by Trefethen — was a high 30 strike upon its launch in 1975. Trefethen received market reputation for his function when the record was nominated to get a Grammy for Greatest Engineered Recording. Prior to the end of 1976, he manufactured two even more recordings that became Grammy nominees for his efforts, Take Me Back again by gospel vocalist Andraé Crouch and Ambrosia’s second work, Somewhere I’ve Under no circumstances Traveled. Also during this time period, he done Parsons’ debut work, Tales of Secret and Creativity. Crouch’s Consider Me Back again was the 1st inside a string of modern Christian albums Trefethen would engineer. Shine at night by Chuck Girard, Welcome to Heaven by Randy Stonehill, as well as for Him THAT HAS Ears to listen to by Keith Green are considered important produces in the introduction of the CCM genre. Trefethen’s use Ambrosia continued before discharge of Lifestyle Beyond L.A. in 1978. Following the record premiered, he concentrated his interest on launching his own record, which he previously finished documenting in 1977. He shortly installed with Michael Nesmith’s Pacific Arts label and constructed Nesmith’s record Infinite Rider over the Big Dogma, released in 1979. A calendar year afterwards, Pacific Arts released Trefethen’s record, entitled Am I Stupid or Am I Great?/It’s All Mom’s Mistake. Supposing all songwriting and creation responsibilities, Trefethen was became a member of on the record by all first people of Ambrosia assisting from instrumentation. Alan Parsons and Andraé Crouch also produced guest performances. The songs as well as the packaging from the LP recommended a loose concept record; the bizarre cover image demonstrated raincoat-clad Trefethen and sister Tina seated atop a plane engine. Despite some guaranteeing response from university radio, Trefethen’s eccentric make of pop under no circumstances found an viewers, due partially to poor distribution and various other label tribulations. Trefethen got a rest from music business following the discharge of his record but came back in the 2000s, creating a studio room and creating his very own production business. With the help of Parsons, he released the ambitious, Internet-only one “Johnny’s Eliminated Away” in past due 2005. Trefethen performed the tune, created in 1980 following the loss of life of John Lennon, on the 25th annual Lennon candlelight vigil in Hollywood. He also lately contributed his abilities towards the Mountainfilm Celebration, composing and creating three first musical functions for montages shown at the function. Interestingly more than enough, Trefethen’s name can be semi-famous beyond music. His 1969 sketches of a car made to break velocity records are popular among fanatics of high-speed property travel.