A local Californian who was raised in Santa Barbara, drummer Tom Rainey moved to NEW YORK in 1979 whilst in his early twenties (after their studies at the Berklee University of Music in Boston beginning in 1975 and time for California to reside in SAN FRANCISCO BAY AREA). The brand new citizen of Brooklyn kicked around city with some straight-ahead jazz gigs in the first ’80s and started playing within a trio with pianist Kenny Werner and bassist Ratzo Harris (having initial encountered the last mentioned in a California music camp), and in the first to middle-’80s fulfilled and began gigging with saxophonist Tim Berne, although Rainey wouldn’t normally show up on a documenting with Berne until Big Satan’s I BELIEVE They Liked It Honey, documented reside in Paris in 1996. However in the interim, Rainey produced a long lasting impression on discs by Werner, Jane Ira Bloom, Fred Hersch, Tag Helias, Tom Varner, Ray Anderson, Andy Laster, New and Utilized, among others, before live and studio room schedules with Berne started taking up a bigger part of his timetable. On several recordings — including albums with the Fred Hersch Trio and Paraphrase (the last mentioned offering Berne on saxophones) — Rainey was matched with bassist Drew Gress, developing an empathetic bass-drums tandem noticed on several significant avant and contemporary innovative jazz discs. In the mid-’90s well in to the 2000s, Rainey forged an in depth musical collaboration with Berne, carrying out and recording using the saxophonist within the ensembles Big Satan, Paraphrase, Hard Cell, and Technology Friction. Paraphrase provided listeners a chance to hear Rainey’s mastery from the drum package in three-way improvisational dialogues, the drummer’s notions of propulsion and momentum in addition to consistency and color keeping the music continue where additional collective improvisational tests may have collapsed into aimlessness. Visitation Rites and Make sure you Advise, two Paraphrase CDs (live German golf club recordings from 1996 and 1998) released on Berne’s Screwgun label, are great places to listen to Rainey at his most freewheeling. And in Big Satan (Berne, Rainey, and guitarist Marc Ducret), Technology Friction (Berne, Rainey, Ducret, and keyboardist Craig Taborn), and Hard Cell (Rainey, Berne, and Taborn), Rainey became a drummer distinctively attuned to these ensembles’ frequently extended compositional/improvisational hybrids. Through the 2000s, he produced strong efforts to albums by all three of the groups, including Technology Friction’s eponymous debut (2002, Screwgun) as well as the Sublime And (2003, Thirsty Hearing), Big Satan’s Souls Saved Listen to (2004, Thirsty Hearing) and Livein Cognito (2006, Screwgun), and Hard Cell’s Live (2004, Screwgun) and Feign (2005, Screwgun). The two-CD live established The Sublime And by Research Friction stands being a high-water tag for all included. Also noteworthy is certainly Prezens (2007, ECM), which include Rainey within a quartet led by guitarist David Torn, and in addition features Berne and Taborn from Berne’s Hard Cell device. While it could be tempting to spotlight Rainey’s participation with Tim Berne’s rings during this time period from the drummer’s profession, Rainey participated in a number of other ensembles aswell, with many great recordings as proof. Trio dates consist of Come Ahead Back again (1998, Koch Jazz), New College (2001, Enja), Verbs of Will (2003, Radio Hip and legs), Atomic Time clock (2006, Radio Hip and legs), and Unusual Unison (2008, Radio Hip and legs) by Open up Loose, the sax-bass-drums threesome led by Tag Helias (another bassist with whom Rainey has already established a particularly solid rapport); Brief Trip (2001, Knitting Manufacturing plant Functions), Drip (2003, Knitting Manufacturing plant Functions), and Locations YOU DECIDE TO GO (2007, Songlines) by guitarist Brad Shepik’s trio; Alive in Brooklyn (2004, Sarama) and Alive in Brooklyn, Vol. 2 (2005, Sarama) from the sax-Wurlitzer-drums trio of Tony Malaby, Angelica Sanchez, and Rainey; and Ash and Tabula (2004, Atavistic) and Downpour (2007, Victo) from the loud soundscape-exploring clothing of Rainey, guitarist Nels Cline, and multi-instrumentalist Andrea Parkins. With three years of carrying out and recording encounter in collaborative ensembles or organizations led by others, Rainey finally came into the bandleading rates with the forming of the Tom Rainey Trio in the past due 2000s. Composed of Rainey, saxophonist Ingrid Laubrock, and guitarist Mary Halvorson, the trio released its debut recording, Pool School, within the Clean Give food to label this year 2010 (exactly the same yr that Rainey and Laubrock had been married), accompanied by sophomore outing Camino Cielo Echo on Intakt in 2012. Rainey also made an appearance on Intakt label recordings by three Laubrock-led ensembles: Sleepthief’s eponymous debut (2008) as well as the Madness of Crowds (2011); Anti-House’s eponymous debut (2010) and Solid Place (2013); as well as the Ingrid Laubrock Octet’s Züwealthy Concert (2014). In 2014 Rainey debuted a fresh quintet on his third recording as a innovator, Obbligato (also on Intakt); a couple of improvisations predicated on jazz requirements, the album presented Rainey, Laubrock, Gress, trumpeter Ralph Alessi, and pianist Kris Davis. IN-MAY of that calendar year, Rainey embarked on a U.S. tour with Laubrock to get AS WELL AS OTHER Desert Cities, an record of ten improvisations with the Rainey-Laubrock duo released by Comparative Pitch Records.